Inner Bark Out, 2022
Permanent Public Commission with Studio Voltaire in partnership with This Is Clapham BID.
Bedford Rd, Clapham, London.
Inner Bark Out centres on Clapham Common as a unique site of gathering, exploring the social, political and ecological threads encountered and
generated in public parks and commons. The work weaves historical narratives into the everyday uses of public space to celebrate the myriad
ways the Common has been utilised over the last fifty years.
A constellation-like painting on aluminium panels, Inner Bark Out illustrates a lively contemporary scene of people and animals engaged in moments
of play, work and rest. Referencing the many histories of occupation and activism connected to the Common, Brooks has inserted fragments of
placards and ephemera linked to protests, gatherings and vigils in the area; suggesting individual and collective experiences that have shaped and
informed the space over time.
Visual clues throughout the work suggest some of the LGBTQIA+ and feminist histories associated with Clapham Common: Divine performing at
‘Alternative Miss World’ beauty pageant in October 1978; The Women’s Peace Camp protesting nuclear weapons in May 1983; gay theatre
group Homo Promos’s revival of the production Teatrolley performed at midnight in 1991; the safer cruising campaigns of the 1990s organised by
queer UK direct action group OutRage!; and the third ever Pride which took place on the Common in 1997.
The artwork also references important heritage sites, including the Holy Trinity Church, ‘the Cock Pond’ and Temperance Fountain, a sculpture
erected by the Temperance Society in 1895. Images of CCTV cameras, drones and signage further suggest the contested nature of public space
at large and the ways it has been monitored, regulated and commercialised.
Over the past three years, Brooks has spent time speaking with Clapham residents and Clapham Common users including historians and
photographers, and researching at Lambeth Archives, The Lesbian and Gay Newsmedia Archive (LAGNA), The Hall Carpenter Archives and the
Digital Transgender Archive.
The title Inner Bark Out refers to the 1987 poem The Laying-On of Hands by Pattiann Rogers, which speaks to a gentleness of touch between living
beings, a movement from interior to exterior – the tiny aphid sitting on a leaf, the parakeet making its home in a tree, the bark of the dog and the
shedding bark on the tree.
Inner Bark Out forms part of Clapham Public Realm Programme produced by Studio Voltaire in partnership with This is Clapham BID. The project has
been supported with funding from Lambeth Council, This is Clapham BID and Arts Council England, with support from Project Native Informant and
Network Rail.